The Visit |
September 9 — October 4A DESPERATE TOWN. A DETERMINED WOMAN. AN IMPOSSIBLE OFFER.
When the richest woman in the world returns to her struggling hometown, she’s ready and willing to rescue it from ruin… on one condition. In this haunting, twisted, and truly grotesque comedy, an entire community is forced to confront an unthinkable question: how far are you willing to go for a billion dollars?
Following the triumphant run of Amadeus, Tony Award-winners JEFFERSON MAYS and DARKO TRESNJAK return to the Playhouse for another gripping and truly unmissable theatrical event.
“Stinging with astonishing power.”
-The New York Herald Tribune
by FRIEDRICH DÜRRENMATT
adapted by MAURICE VALENCY
directed by DARKO TRESNJAK
A DESPERATE TOWN. A DETERMINED WOMAN. AN IMPOSSIBLE OFFER.
When the richest woman in the world returns to her struggling hometown, she’s ready and willing to rescue it from ruin… on one condition. In this haunting, twisted, and truly grotesque comedy, an entire community is forced to confront an unthinkable question: how far are you willing to go for a billion dollars?
Following the triumphant run of Amadeus, Tony Award-winners JEFFERSON MAYS and DARKO TRESNJAK return to the Playhouse for another gripping and truly unmissable theatrical event.
“Stinging with astonishing power.”
-The New York Herald Tribune
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Cast
Jefferson Mays
Anton Schill
Jefferson Mays recently starred as “Salieri” in Amadeus at the Pasadena Playhouse. He is a Tony Award-winning actor best known for his one-man adaptation of A Christmas Carol directed by Michael Arden and his performances on Broadway in I Am My Own Wife, A Christmas Carol, Oslo, The Music Man, Journey’s End, The Best Man, The Front Page, and A Gentleman’s Guide to Love and Murder. On screen, he appears in Joel Coen’s Macbeth, the Coen Brothers’ The Ballad of Buster Scruggs, Alfie, and Inherent Vice. His television credits include Julia, Hacks, Perry Mason, I Am the Night, The Americans, The Knick, Law & Order: SVU, and Unbreakable Kimmy Schmidt. He holds a BA from Yale, and an MFA from UCSD.
Melinda Page Hamilton
Claire Zachanassian
Her theatre credits include God of Carnage (South Coast Repertory), Rear Window (Hartford Stage), Cornelia, Bell, Book And Candle and All My Sons (The Old Globe); The Royal Family (Ahmanson Theatre, Arena Stage); To Fool The Eye (Guthrie Theater); Cyrano (Cleveland Play House); The Seagull (George Street Playhouse) and numerous productions at New York’s Ensemble Studio Theatre. Television credits include series regular roles on The Peripheral (Amazon Studios), Messiah (Netflix), Damnation (FX) and recurring roles on Mrs. America (FX), Devious Maids (ABC), Desperate Housewives (ABC), Mad Men (AMC), How to Get Away With Murder (ABC) and many others. Her film credits include Sleeping Dogs Lie, for which she was nominated for a Gotham Award for Breakthrough Actor; M.O.M. and God Bless America. She received her MFA from NYU.
Christian Barillas
Teacher
Christian Barillas returns to Pasadena Playhouse after appearing in Native Gardens and As You Like It (dir. Bill Rauch). Stage highlights include Yerma at The Huntington, Anna In The Tropics at Bay Street Theater, The Motherfu**Er With The Hat (LADCC Nomination) at SCR, Twelfth Night (dir. Darko Tresnjak) at Oregon Shakespeare Festival, Lydia at Denver Center and Yale Rep, Romeo & Juliet at Utah Shakespeare Festival, The Trial Of The Catonsville Nine at Mark Taper Forum and Sonia Flew at Laguna Playhouse. On television, Christian recurred as Ronaldo on Modern Family opposite Nathan Lane for seven seasons. Other TV highlights include The Handmaid’s Tale, The Bridge, Grace & Frankie, NCIS, The Kominsky Method and the pilots for Bunheads and CBS’ Jim Gaffigan Show, in which he was a series regular. Film credits include Martin McDonagh’s Seven Psychopaths. Christian is a member of The Actors Studio and the acting faculty at UCLA’s School of Theater, Film and TV.
Kenajuan Bentley
Bobby
Favorite Theatrical Experiences: LA – Amadeus (Pasadena Playhouse); $5 Shakespeare (6th Act Theatre Co). New York – Edward the Second (Red Bull Theater); The Merchant of Venice, The Jew of Malta (Theatre for a New Audience); Well (The Public Theater); Macbeth (The Classical Theatre of Harlem). Oregon Shakespeare Festival (5 Seasons): Ruined, As You Like It, Twelfth Night, All The Way, The Great Society. Film/TV: Law and Order, Scandal, Criminal Minds, All American, Station 19. Currently a recurring character on Shrinking (Apple +). Coming Soon: Einstein (CBS). Training: MFA, University of Connecticut; BA, Western Michigan University.
Jennifer Chang
Shopkeeper/Frau Schill
Jennifer Chang is a storyteller based in Los Angeles. She is thrilled to be acting again in a room with Darko no less, having previously had the great fortune in Amadeus at Pasadena Playhouse and The Dispute by Marivaux. Other Stages: South Coast Rep, La Jolla Playhouse, Mixed Blood, LaMAMA Etc, East West Players, National Asian American Theatre Company. Media: Mom, 2 ½ Men, Parenthood, NCIS: LA, Medium, Terminator: The Sarah Connor Chronicles, Medium, Numb3rs, Days of Our Lives, In the Dark, numerous national commercials. She has been known to direct plays. Proud union member: AEA, SAG-AFTRA, SDC, AGMA. BFA: NYU, MFA: UCSD. Faculty, UCLA School of Television, Theatre, and Film. www.changinator.com. Much love to D, A, and S for their unwavering support.
Ricardo Chavira
Policeman
Ricardo Chavira is a South Texas native whose acting career spans theater, film, and television. His stage highlights include this year’s Tony-nominated Broadway hit The Balusters at MTC, written by David Lindsay Abaire. Other theater work includes The Motherf**ker with the Hat at the National Theatre London and the Off-Broadway production of Jesus Hopped the A Train. U.S. regional theater credits include A Doll’s House, Shane, An Enemy of the People, and A Streetcar Named Desire at the Guthrie Theater; also regionally Primary Trust, Living Out, Tracers, Three Sisters, and Dogeaters. TV credits include 2 seasons of Ballard on Amazon Prime, Selena the Series and Glamorous for Netflix, and Apple TV+’s Truth Be Told opposite Octavia Spencer. Past TV credits include Scandal, Jane the Virgin; Santa Clarita Diet; Hawaii 5-0; Castle; Burn Notice; Chicago PD; Welcome to the Family; Desperate Housewives, garnering two SAG Awards for Outstanding Performance Ensemble Comedy Series; George Lopez; NYPD Blue; Six Feet Under. Film credits include Being Charlie, Powder and Gold, Don’t Let Me Drown, The Alamo, Piranha 3-D and Saving God. Chavira holds an M.F.A. in acting from the University of California, San Diego. For T and B, always.
Danny Cron
Max
Danny Cron is thrilled to be returning to Pasadena Playhouse after previously being seen in their productions of A Little Night Music and Good Boys. Other select theatre credits include Orphée (Deaf West Theatre), Stuart Little (Sierra Madre Playhouse), The Metaphysics of a Two-Headed Calf (Center for New Performances), and Haymaker (The Neo-Futurists). Film credits include The Disappearance of Mrs. Wu, That Guy Henry, and String of Butterflies. He can also be seen in the upcoming season of the hilarious web-series Open To It. He earned his BFA in acting from CalArts. He would like to thank his family, chosen and blood, the cast and crew, and the entire Pasadena Playhouse staff for their continued support.
Matthew Patrick Davis
Pastor
Matthew Patrick Davis is excited to return to Pasadena Playhouse after playing Emperor Joseph II in Amadeus. Broadway: Side Show. Regional: Noises Off (Old Globe), Wonderful Winter of Oz (Laguna Playhouse), Cinderella Christmas, South Street (Pasadena Playhouse), A Midsummer Night’s Dream, Limelight, The Nightingale (La Jolla Playhouse), The Complete History of America (Abridged) (Garry Marshall Theatre), more. Film: The Mother in Barbarian. Upcoming Films: The Shepherd and Samodiva. Television: Henry Danger, Sam & Cat, Community, more. Songwriting: “Iron Man & His Awesome Friends” (w/ TJ Hill), “The Ghost & Molly McGee,” “RoboGobo,” “Pupstruction,” “TOTS” (Disney Channel/Disney Junior w/ Rob Cantor), “Red Fish Blue Fish” (Netflix w/ Rob Cantor). His children’s album, “I Love My Dog,” is available on the Yoto Music Player. IG: @matthewpatrickdavis
Matthew Henerson
Doctor
Amadeus – Pasadena Playhouse. Elsewhere in Los Angeles: Ahmanson (Romeo and Juliet), A Noise Within (Threepenny Opera, Richard III, Ah, Wilderness!), Celebration (What’s Wrong With Angry, Cabaret), Deaf West (Pinocchio), East West Players (M. Butterfly), Mark Taper Forum (Ma Rainey’s Black Bottom). Regional: ACT, American Shakespeare Center, Bay Street Theater, Denver Center, Ensemble Theatre Company, Laguna Playhouse, La Jolla Playhouse, North Coast Repertory, Northern Stage, San Diego Repertory, San Jose Repertory, South Coast Repertory, and Shakespeare Festivals in Arizona, Colorado, Marin, San Francisco, Santa Cruz, and Utah. Film: A Christmas Carol, Mars Needs Moms and Jungle Book for Disney. Television: The Bernie Mac Show, Hung, The Fosters, One Day at a Time, and recurring as SA Carl Laughlin on NCIS: Origins.
Mark Jacobson
Station Master
Mark is honored to make his Pasadena Playhouse debut and play in another Darko Tresnjak sandbox. He has appeared Off-Broadway and regionally, including Geffen Playhouse, TheatreSquared, Phoenix Theatre, Rubicon, Garry Marshall, A Noise Within, Rogue Machine, Kingsmen Shakespeare, and Coeurage. Recent Film/TV: Jumanji: Open World (Upcoming), 57 Seconds (opp. Morgan Freeman and Josh Hutcherson), The 12 Days of Christmas Eve (opp. Kelsey Grammer), Platonic, The Conners, Obliterated, Welcome to Chippendales, FBI, 9-1-1, The Rookie, This Is Us. VO: David, Insomniac/Marvel’s Wolverine, Spider-Man 2, Nickelodeon’s I Am Frankie, No Rest for the Wicked, Genshin Impact, others. Training: USC School of Dramatic Arts, BADA, Groundlings, UCB. Thanks to Darko for the trust. For Jada Bug and Mama Bug. @SirMarkOfJ
Adrian LaTourelle
Painter
Adrian LaTourelle has appeared in numerous television series such as NCIS, Castle, The Legend of Korra, Last Resort, The Closer, House, NCIS:LA, Boston Legal, Without a Trace, Criminal Minds, Numbers, Sons of Anarchy, and Days of Our Lives. His many stage credits include work in many theaters around the country, such as the Mark Taper Forum, the Shakespeare Theater in DC, The Old Globe, the San Jose Rep, the Dallas Theater Center, the Antaeus Company, and the Yale Repertory Theater. A graduate of the Yale School of Drama, Adrian has also worked abroad, performing in theater and film in Russia and the Netherlands.
John Lavelle
Burgomeister
Pasadena Playhouse: Amadeus. Broadway: The Graduate. Off-Broadway: The Royale (LCT, Drama Desk Award), Catch 22 (The Lucille Lortel), Spatter Pattern (Playwrights), Rope (Drama Dept), The Jew of Malta (TFANA), The Russian Troll Farm (The Vineyard). Regionally John has worked at The Old Globe, Hartford Stage, The Williamstown Theatre Festival, La Jolla Playhouse, The McCarter, and Geva Theatre. Film: Selma, Frozen, Wreck-It Ralph, Zootopia, The Taking of Pelham 123, Heirloom. TV: Black Monday, She-Ra, Instinct, Kipo, When They See Us, Hawaii Five-O, Grace & Frankie, Forever, The Black Donnellys, Law & Order: Trial by Jury, Numb3rs, NCIS, All My Children, and Guiding Light. John is a graduate of NYU Tisch and a member of IAMA Theatre Company.
Jake Levy
Conductor/Kobby/Hermine/Karl/Reporter
Jake is thrilled to be making his Pasadena Playhouse debut! Some of his credits include the 1st National Tour of Anastasia (Dmitry) and the 2nd National Tour of Wicked (Fiyero u/s). Off-Broadway: Superhero, Take Me Along. Regional: Rent (Mark) for which he received an International Opera nomination, Joseph…Dreamcoat (Joseph), and A Gentleman’s Guide To Love And Murder (Monty). TV credits include Harlem (Amazon), WeCrashed (AppleTV), and Bones (FOX). Proud UCLA Alum. Gratitude to Darko for another opportunity to be a part of his beautiful work. Thank you to Karli, Bri, HCKR, Christine, and my family for their continued support, love, and hard work. Instagram: @Officialjakelevy
Ian Joseph Paget
Pedro/Truck Driver/Reporter
Ian Joseph Paget makes his Pasadena Playhouse debut in The Visit. Broadway: Mamma Mia!, Leap of Faith, and Soul Doctor. Other theater credits include Prosperous Fools (Theatre for a New Audience), A Chorus Line (Paul, The Muny), West Side Story (Arab, Sadler’s Wells), This Ain’t No Disco (Atlantic Theater Company), Escape to Margaritaville and Yoshimi Battles the Pink Robots (La Jolla Playhouse), and Man of La Mancha (Anselmo, Westport Country Playhouse). Film: Rock of Ages and Step Up Revolution. Television includes Reasonable Doubt, Welcome to Chippendales, Katy Keene, Mozart in the Jungle, and Saturday Night Live. Endless thanks to my mom, dad, friends, and Darko.
Will Pelligrini
Mike
After 25 years behind the table as a theater director and designer, Will is thrilled (and maybe a little terrified) to be returning to the stage in The Visit—his first onstage performance in a quarter century! He holds a B.A. in Theater from UCLA and an M.F.A. in Directing from Rutgers, and now spends his days as a college theater professor. He also teaches Acting and directs the Musical Theater Bootcamp at Pasadena Playhouse. When he’s not in a rehearsal hall or classroom, you can find him at the gym…so he’s especially excited that this role lets him combine two of his biggest passions: theater and fitness!
Hilary Ward
Innkeeper/Frau Burgomeister
Hilary Ward is thrilled to return to Pasadena Playhouse after appearing as Venticello in last season’s Amadeus. Other theater credits: Primary Trust (Barrington Theater Company and Theatre Works Hartford), American Fast (City Theatre), Those Days Are Over (Ashland New Play Festival), Pacific Playwrights Festival, Sense and Sensibility (South Coast Rep), Ripe Frenzy (Ojai Playwrights Conference), Mother Courage (La Jolla Playhouse), Macbeth, King Lear, Madea (Classical Theatre of Harlem), Uncle Vanya, Twelfth Night (Chalk Rep). Television/Film: Fixation, Law & Order, Heart Shot, FIVE, Station 19, LAUNCHPAD, Bull, Sharp Objects, All the Way, NCIS, The Fosters, Grey’s Anatomy, Modern Family, Other People, Like You Mean It. Hilary’s image and voice has been featured in over four dozen national commercials. In 2008, she became a co-founder of the award-winning Chalk Repertory Theatre. Member of SAG-AFTRA and AEA. MFA: UCSD.
Lauren Worsham
Lobby/Adolphine/Ottilie/Reporter
Lauren Worsham was nominated for a Tony and won Drama Desk and Theatre World Awards for originating the role of Phoebe in A Gentleman’s Guide to Love and Murder. She is stoked to return to the Playhouse after recently squeaking around as Costanze in Amadeus. Select past credits: Murder on the Links (Two River Theater), Call Me Madam, Big River, and Where’s Charley (NY City Center Encores); The Engagement Party (Geffen), Dog Days (Montclair Peak Performances and LA Opera), Turn of the Screw (NYC Opera), Showboat (NY Philharmonic), and Candide (NYC Opera). Lauren is a founding member of the indie rock-band Sky-Pony. Here’s to lucky #6, dear Darko. Love always to my family, you carry my heart.
Creative Team

Friedrich Dürrenmatt (Playwright)
Born on January 5, 1921, in Konolfingen, Switzerland, Friedrich Dürrenmatt had writing in his blood. His grandfather—a well-known satirist and political poet—encouraged the young boy to develop a questioning spirit, which would characterize his later works. In fact, the memory of his grandfather inspired Dürrenmatt throughout his career. As a young man, Dürrenmatt attended the University of Bern, where he studied literature, theology, philosophy, and science. It was here that he first became interested in playwriting after becoming a regular patron of the operettas. Among his favorite playwrights were Aristophanes and Thornton Wilder. After transferring briefly to the University of Zurich, Dürrenmatt decided to withdraw from school and try his hand at playwriting. At the age of twenty-two, he set about composing his first play, a lyrical and apocalyptic comedy which was never produced. Over the course of the next few years, he struggled to earn a living as a writer and had to turn to the writing of short stories, mystery novels, and radio plays to make ends meet, but he never gave up writing for the stage. His breakthrough came in 1952 with the comedy THE MARRIAGE OF MR. MISSISSIPPI, in which he first began to formulate his own unique style of theatre: a dark, dreamlike world populated by characters who, though frighteningly real, are often distorted into caricature. The playwright found that dark comedy was a most effective medium through which to expose the grotesque nature of the human condition. THE MARRIAGE OF MR. MISSISSIPPI evoked strong reactions from Dürrenmatt’s audiences and established him as one of the finest European dramatists of his day. Dürrenmatt’s most popular plays include ROMULUS THE GREAT (1949), THE VISIT (1956), THE PHYSICISTS (1962), and PLAY STRINDBERG (1969). His many awards include the Drama Critics’ Circle Award and the Schiller Prize. He died in 1990.
Maurice Valency (Adapter)
Maurice Valency (1903-1996) was a playwright, author, critic, and popular professor of Comparative Literature at Columbia University. He was best known for his award-winning adaptations of plays by Jean Giraudoux (The Madwoman of Chaillot, Ondine, The Enchanted, and The Apollo of Bellac) and Friedrich Dürrenmatt (The Visit). Valency’s version of The Madwoman of Chaillot became the basis of the Jerry Herman musical Dear World on Broadway. Valency’s version of The Visit became the basis of the Kander and Ebb musical The Visit on Broadway. Valency’s original plays include The Thracian Horses, Regarding Electra, and Conversation with a Sphinx, and he wrote numerous textbooks on drama.
Darko Tresnjak (Director)
Darko Tresnjak is happy to be back at Pasadena Playhouse, where he directed Amadeus last season. He is acclaimed for his work on A Gentleman’s Guide to Love and Murder, which earned him the Tony, Drama Desk, and Outer Critics Circle Awards. He also received an Obie Award for his direction of Ionesco’s The Killer at Theater for a New Audience. From 2004 to 2009, he was Artistic Director of the Old Globe Shakespeare Festival, and from 2011 to 2019, he led Hartford Stage. Tresnjak has directed plays, musicals, and operas at institutions such as the Roundabout Theatre Company, Public Theater, Royal Shakespeare Company, Stratford Shakespeare Festival, Chicago Shakespeare Theater, Oregon Shakespeare Festival, Williamstown Theatre Festival, Huntington Theatre Company, Geffen Playhouse, Metropolitan Opera, Santa Fe Opera, and Los Angeles Opera.
Alexander Dodge (Scenic Designer)
PASADENA PLAYHOUSE: Amadeus. BROADWAY: I Need That; Anastasia (Outer Critics Nomination); A Gentleman’s Guide to Love and Murder (Tony, Drama Desk and Outer Critics Nominations); Present Laughter (Tony Nomination); Old Acquaintance; Butley; Hedda Gabler. OFF BROADWAY: Archduke: Roundabout, Messy White Gays: The Duke; Prosperous Fools: TFANA; Russian Troll Farm and Harry Clarke: Vineyard; The Whisper House: 59E59; Observe the Sons of Ulster… (Lortel Award Winner): LCT. REGIONAL: Disney’s Hunchback of Notre Dame: La Jolla, Paper Mill Playhouses, Japan, Germany, Austria. London West End: Harry Clarke, All New People. OPERA: Samson et Dalila: Metropolitan Opera; The Thirteenth Child: Santa Fe; Ghosts of Versailles: L.A. Opera; Ukiyo-E: Grand Théâtre de Genève; Il trittico: Deutsche Oper Berlin, Lohengrin: Budapest. MFA: Yale. @alexanderdodgedesign
Clayton Dombach (Associate Scenic Designer)
Clayton Dombach is a NYC based scenic designer whose credits include: Les Miserables, Newsies, Anastasia (Tuacahn Amphitheatre), The Tire Swing (Circus Opera Company), Mamma Mia! (Maples Repertory Theater). Associate design credits include, at Pasadena Playhouse: Amadeus, Off-Broadway: Archduke, Messy White Gays, Taylor Mac’s Prosperous Fools, and I Need That on Broadway. Originally from Lancaster PA, Clayton is a graduate of Temple University. @ClaytonDombach www.claytondombach.com
Charlotte Devaux (Costume Designer)
Charlotte Devaux is an international costume designer for theatre and television. Her work, encompassing the classics, Shakespeare, and musicals, has been seen in America, New Zealand, Australia, and the UK. She has designed over thirty productions at the Tony Award winning Old Globe Theatre, San Diego, where she served as Resident Associate Costume Designer. Awarded a TCG Continuing Education Grant, Charlotte pursued historical costume research and study in London and Bath, England. Charlotte spent a decade living, studying and designing theatre and television in New Zealand including the position of Costume Director and Designer for Television New Zealand’s acclaimed children’s programming. Charlotte is pleased to return to collaborate with the talented artists at Pasadena Playhouse where she was Associate Costume Designer on Amadeus. www.charlottedevaux.com
Lelie Malitz (Associate Costume Designer)
Leslie Malitz is delighted to be part of this production. She is a costume designer, draper, and educator whose career has spanned Broadway, regional theater, dance, film, and television, as well as costume preservation and archival management at 20th Century Fox. Leslie earned her MFA in Costume Design and Technology from San Diego State University and has built a career collaborating with leading designers and productions across the entertainment industry. She is a proud member of Local USA 829 and Motion Picture Costumers Local 705. When not in the costume shop or classroom, Leslie enjoys designing custom knitwear. Follow her work at @lovelycustomknits
Matthew Richards (Lighting Designer)
Pasadena Playhouse Debut. New York credits include: Ann starring Holland Taylor (Broadway); Archduke (Roundabout); Prosperous Fools, Measure For Measure, Tamburlaine, and The Killer (Theatre For a New Audience); Rock and Roll Man (New World Stages); Ars Nova; Atlantic Theatre Company; Brooklyn Academy of Music; MCC; Playwrights Horizons; Play Co.; Primary Stages; Rattlestick; Second Stage; and Soho Rep. Regional credits include: Actor’s Theater of Louisville; Alley Theatre; Arena Stage; Baltimore’s Center Stage; Cincinnati Playhouse; Cleveland Playhouse; Dallas Theater Center; Ford’s Theatre; The Geffen; The Goodman; The Guthrie; Hartford Stage; The Huntington; La Jolla Playhouse; Long Wharf; The Old Globe; Shakespeare Theatre; Westport Playhouse; Williamstown Theatre Festival; Yale Repertory Theatre.
Jonathan A. Burke (Sound Designer)
Jonathan is thrilled to be back at Pasadena Playhouse. His work spans Theater, Opera, and Live events. He has designed and mixed shows at the Kennedy Center, Disney Hall and the Dorothy Chandler Pavilion along with countless other venues across the country. Recent designs include Sweeney Todd at La Mirada, the sold-out runs of 44 The Musical in Los Angeles, Chicago, DC, and the Daryl Roth Theater Off-Broadway. Last summer Jonathan designed and mixed the Hollywood Bowl production of Jesus Christ Superstar starring Adam Lambert and Cynthia Erivo. Jonathan is the Head of Sound Design at UCLA School of Theater and founder of Jabworks, a theatrical equipment rental, design, education and consulting company. https://jonathanburkesounddesign.com
Aaron Rhyne (Projection Designer)
Designs include BROADWAY: Anastasia (Drama Desk Award, Outer Critics Circle Award) For Colored Girls…, The Sound Inside (Outer Critics Circle Award), A Gentleman’s Guide to Love and Murder (Drama Desk Award), Bonnie and Clyde. TV: Hasan Minhaj: The King’s Jester (Netflix). DANCE: I AM (Camille A Brown), Septime Webre’s The Wizard of Oz, The Sun Also Rises (Washington Ballet). OPERA: The Thirteenth Child (Santa Fe Opera), The Ghosts of Versailles (LA Opera), La Traviata (Wolftrap), Florencia en el Amazonas (Florida Grand, Opera Colorado). DISNEY: Frozen, Beauty and the Beast, Moana, Tangled, and multiple other productions for Disney’s Parks, Resorts, and Cruise Lines. @aaronrhynedesigns www.aaronrhyne.com
Rocio Mendez (Fight Coordinator)
Rocio is a two-time Drama Desk nominee and award-winning actor, serving as the Resident Intimacy Director at the Oregon Shakespeare Festival. Off-Broadway/Regional: Paper Mill Playhouse, NYTW, Roundabout, The Alley Theatre, Geva Theatre Center. Broadway: POTUS, Ain’t No Mo’, Merrily We Roll Along, PROOF, The Fear of 13. www.rociomendez.com
Miranda Johnson-Haddad (Dramaturg)
Miranda Johnson-Haddad is the Resident Dramaturg and Shakespeare Consultant at A Noise Within Theatre in Pasadena, CA. She has served as dramaturg at ANW for over a dozen productions, including plays by August Wilson, George Bernard Shaw, Stephen Sondheim, Toni Morrison, and Mary Zimmerman. Miranda has also served as dramaturg for productions at Pasadena Playhouse and Boston Court. She has taught at Howard University, UCLA, Vassar College, and Yale University, and she is a frequent speaker at Los Angeles Opera and elsewhere. Miranda is the author of numerous articles and reviews; her personal favorite is entitled “Harry Potter and the Shakespearean Allusion.” Education: B.A. Comparative Literature, Princeton University. Ph.D. Renaissance Studies, Yale University.
Ryan Bernard-Tymensky (Casting)
Ryan’s casting work spans theatre, film, and TV, with over a decade of experience in both LA and NYC. They’ve cast numerous stage productions at Pasadena Playhouse, the recent Off-Broadway runs of DRAG: The Musical and the NY premiere of Messy White Gays. On screen, their credits include Wicked (films), This Is Us, Atypical, and more. At the core of Ryan’s work is a deep commitment to inclusion and authentic representation. Through RBT Casting, they champion artists who reflect the full spectrum of human experience and push for stories that challenge industry norms and better reflect the world we live in.
Ticket Info

Tickets
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Access Performance

Open Captioning
Guests who enjoy open captioning may request to be seated in view of a video screen with text descriptions synchronized to the onstage action designed for people who are deaf or hard of hearing.
Open Captioned performance of The Visit will be on Sunday, September 27, 2026 at 2:00 PM. Become a Member today to access tickets to this performance before they go on sale.
Become A MemberAudio Description
Join us for our Access performance to take advantage of the audio description service. The service includes verbal descriptions of actions, costumes, scenery, and other visual elements of the production and is designed for patrons who are blind or have low vision. Guests may request a listening device to hear live audio descriptions. Audio description is available in all seating locations on the Orchestra level of the theater. If you would like to hear the pre-show notes, please be in your seat 15 minutes before showtime.
Audio Described performance of The Visit will be on Sunday, September 27, 2026 at 2:00 PM. Become a Member today to access tickets to this performance before they go on sale.
Become A MemberSpecial Performances

Wine Wednesday
Preview week Wednesday, ticket holders are invited to come early and enjoy complimentary wine prior to the show at Pasadena Playhouse.
The Wine Wednesday performance of The Visit will be on Wednesday, September 9, 2026 at 7:30 PM.
Childcare Matinee

Pasadena Playhouse is making it easier for parents to come to the theater by offering onsite childcare during the 2 PM performance of The Visit on Saturday, September 26, 2026.
Children ages 5 through 12 will enjoy a theater workshop with trained teaching artists onsite at Pasadena Playhouse while parents enjoy the performance. Age-appropriate activities inspired by the play will allow kids to explore their creativity and introduce them to the world of theater.
Childcare Matinee Ticketsintroducing the childcare matinee membership
With a CHILDCARE MATINEE MEMBERSHIP you get to experience the 2026/2027 Season while your children ages 5 through 12 enjoy a theater workshop with trained teaching artists onsite at Pasadena Playhouse. While you enjoy the performance, age-appropriate activities inspired by the play will allow kids to explore their creativity and introduce them to the world of theater.
Starting at $390 per adult and $125 per child, ($78 per adult ticket and $25 per child for all 5 shows) you’ll get all the perks of being a Playhouse Member.
Childcare Matinee Membership





